Thursday, 16 December 2010

The Black House by Patricia Highsmith

Patricia Highsmith’s short stories deal with her usual stock in trade of dysfunctional families, misanthropic young men and ugly crimes, but as ever the writing is a joy to read and her insight into the human psyche is as sharp as in her full length novels.


In I Despise Your Life, twenty-year-old Ralph is coming home to his father’s house to tap him for cash. Living with the hip set in New York City, he needs to get $100 together for the rent on their loft apartment, the dump, but his father says no and tells him to get a job, despite first offering him a beer:

“Sit down, boy. What brings you here? ... Like a beer?” “Yeah, sure. Thanks.” Ralph was at that moment feeling a little fuzzy in the head. He had been a lot sharper less than an hour ago, higher and sharper, when he had been smoking with Cassie, Ben and Georgie back at the dump... Meanwhile a beer was what they called socially acceptable. Ralph took the cold can that his father extended.

Ralph retorts by telling his father that he thinks that his life is junk and storms off, although a letter from his old man a couple of days letter tries to mollify the situation, insisting that he’s free to do what he wants with his life. Ralph sulks because he feels he’s been cut off.

Cassie, Ben and Georgie decide to hold a party with $3 entry to get the rent money together. Ralph, in an inspired moment invites his dad to the bash, although when the day itself dawns he realises that this might have been of questionable wisdom. The house is decked out with tape hanging from the rafters and a phallic display of fruit (two oranges, banana) on the food table. There’s enough to drink, if you like wine:

Ralph tossed back a paper cupful of distasteful red wine. Why was he drinking the stuff? He preferred beer any time.

Oh well. His father arrives and Ralph tries to impress him:

“My dad!” Ralph yelled on a note of pride. “Is there a beer?” “Beer, hah!” said a fellow with a little brown bottle in his hand, waggling the bottle upside down to show it was empty. “Up yours!” Ralph retorted unheard, and lunged forward and upward, unsettling at least two standing girls, but the girls didn’t mind, only giggled. Ralph was acutely aware of his father, standing more or less in the doorway, and aware also of other people’s surprised expressions upon seeing an older man among them. But Ralph found what he was after, Ben’s precious beer cache behind the fridge, tepid, but still one small beer. Only one had been left there, and Ralph told himself to replace it tomorrow, otherwise Ben would be annoyed. He found an opener and go the top off. The paper cups were already gone. “A beer!” said Ralph, proudly handing his father the bottle.

His father is a fish out of water with all these bright young things wandering around, clearly bombed out of their gourds. He makes his excuses after running into Ralph’s housemate Cassie who is coked up and talking utter nonsense. Ralph sinks into a boozy torpor. When he comes round he feels nauseous:

Ralph felt like throwing up, surely due to the wine. Best to get to the bathroom, the toilet of course, and Ralph at once headed for the bathroom. The door was not locked, though a fellow and a girl were in there, leaning against the basin, and suddenly Ralph was angry and yelled for both of them to get out. He heard his own voice yelling, and kept on, until with startled faces they slowly made their way out, and then Ralph slid the bolt on the door. He did not have to throw up, though he recalled that this had been his intent.

He keeps his supper, but ends up slashing his wrists and wakes up in hospital the next day. Once again, it’s back to his father for money, this time to pay a $500 medical bill...

I Despise Your Life is no more than a vignette, but Highsmith skewers her characters to the page so well that it’s a miniature masterpiece on the generation gap, a highly astute study in father son relationships.

Thursday, 9 December 2010

Jamaica Inn by Daphne du Maurier

Gothic goings on and murky tales of smugglers and wreckers off the Cornish coast in one of Daphne du Maurier’s most popular novels. First published in 1936 but set in the 1820s, Jamaica Inn has been adapted for both film and television as well as the stage. Somehow, in nigh on 35 years of life, I hadn’t got around to reading this brilliant book...


Mary Yellan is sent away to stay with her Aunt Patience on the bleak and inhospitable Bodmin Moor where she lives in the dismal and decrepit Jamaica Inn with her husband Joss Merlyn. Mary discovers the once outgoing Patience a cowed figure, terrified of the violent Joss who Mary quickly assesses as either mad or drunk, anyway. Probably both.

She’s not disabused of this by Joss, who sends poor Patience off to fetch him a drink:

“Patience, my dear,” he said, “Here’s the key. Go and fetch me a bottle of brandy, for the Lord’s sake. I’ve a thirst on me that all the waters of Dozmary would not slake.”

After a couple of glasses he tells Mary how things stand at the Inn. One glass more and he’s started on the road the confessional:

“There’s been one weakness in my life, and I’ll tell you what it is,” he said, “It’s drink. It’s a curse, and I know it. I can’t stop myself. One day it’ll be the end of me, and a good job too. There’s days go by and I don’t touch more than a drop, same as I’ve done tonight. And then I’ll feel the thirst come on me and I’ll soak. Soak for hours. It’s power, and glory, and women, and the Kingdom of God, all rolled into one. I feel a king then, Mary. I feel I’ve got the strings of the world between my two fingers. It’s heaven and hell. I talk then, talk until every damned thing I’ve ever done is spilt to the four winds. I shut myself in my room and shout my secrets in my pillow. Your aunt turns the key on me, and when I’m sober I hammer on the door and she lets me out. There’s no one knows that but she and I, and now I’ve told you. I’ve told you because I’m already a little drunk and I can’t hold my tongue. But I’m not drunk enough to lose my head. I’m not drunk enough to tell you why I live in this God-forsaken spot, and why I’m the landlord of Jamaica Inn.”

She finds out soon enough. Joss is head of a gang of hardened criminals who wreck ships off the north Cornwall coast, luring them onto the rocks with lights, then killing the crews and looting the wreckage for the cargo. Haunted by what he has done, Joss drinks himself into a torpor, sometimes for five days at a time. Repelled by Joss and determined to get Patience away from Jamaica Inn, Mary falls in with his brother Jem, another ne’r do well. Although not a smuggler or wrecker, horse thief Jem is hardly a great catch. Still, Mary finds herself falling for him, despite her better judgement.

Jem, at least, can stay sober. Drink doesn’t hold the same fascination for him as it does his brother Joss:

“Drink’s a funny thing,” he said, after a moment or two. “I got drunk once, in Amsterdam, the time I ran away to sea. I remember hearing a church clock strike half past nine in the evening, and I was sitting on the floor with my arms around a pretty red-haired girl. The next thing I knew, it was seven in the following morning, and I was lying on my back in the gutter, without any boots or breeches. I often wonder what I did during those ten hours. I’ve thought and thought, but I’m damned if I can remember.”

Meanwhile, Joss is recovering from another bender. Needless to say, he comes to a sticky end...

Thursday, 2 December 2010

W Axl Rose by Mick Wall

I spotted this in the library and had an instant flashback to buying Guns N’ Roses’ debut album Appetite For Destruction nearly twenty two years ago. Brazenly biased and almost as self deluded as its subject matter - the band’s lead singer - W. Axl Rose is an interesting combination of rock memoir and personal grudge by a journalist whom Rose very publicly picked a fight with, telling him to “...get in the ring, motherfucker...”


The first part of the book contains a reasonably illuminating look at Rose’s home life in small town Indiana as a youth. He was frequently in trouble with the law between leaving home and moving to California, and alcohol certainly played its part:

Now living away from home, staying at his maternal grandmother’s small house, he had his first brushes with the law – mainly for misdemeanours such as ‘public consumption [of alcohol]’ and ‘disturbing the peace’... “But he would do some pretty wild things.” Axl and his friends, including Dana Gregory, “would go out and drink and do some stupid things, like smash windows along Main Street.”

Long before the acrimonious row and subsequent bad blood, Wall was writing for Kerrang! magazine, covering the rise and rise of the Rose’s band, Guns N’ Roses. He’s previously written an unauthorised biography of the band, and I can’t help feeling that a lot of it has found its way into this book. That said, the stuff about the rest of the group is far more interesting than his pontificating about the inner thoughts of Rose.

The original line up of Guns N’ Roses had a pretty heavy intake of booze and hard drugs. Inevitably, this interfered with the music and at one point it looked as if they wouldn’t even get their debut LP recorded:

In fact, early sessions eventually had to be postponed while Slash and Izzy took time off to try and rid themselves on the bad habits they had been recklessly nurturing. According to Steven, “drugs and drink” had already begun “to take their toll as Slash [was] secreted away by the label to dry out”.

The certainly made no secret of their substance abuse on the final cut of Appetite For Destruction. Track ‘Mr Brownstone’ was an ode to the ups and downs of heroin use and on the same side there was also ‘Nightrain’, a paean to the ephemeral joys of the cheap ‘bum’s wine’ it was named after – the only drink the band could regularly afford in the days before they were signed...

Wall appears to run into the band on quite a few occasions in the next few years, although how much of this has been culled from interviews is probably moot. By the time they had become one of the biggest rock bands in the world, most of the band, with the exception of Axl Rose, was apparently knocking out increasing amounts of harder and harder intoxicants. Steven Adler is reported as saying:

“Let me say for the record that I was no angel,” he told me years later. “I drank – no, scratch that – could outdrink any of the other guys in the band, including Slash (which is saying a hell of a lot). I once swallowed thirty-two kamikazes and lived to tell about it... But I never shot smack until we arrived in Amsterdam during our first European tour...

Lead guitarist Slash was the bands most visible indulger, rarely seen without a bottle of JD to hand:

I turned to speak to Slash, the only one I’d actually been introduced to. He looked like he’d just stepped off the album cover: black top hat pulled low over a waterfall of dark curls deliberately obscuring his soft brown eyes, holding on tight to a Jack Daniels bottle like a toddler clinging to its teddy. “I bet you go to bed with that thing,” I joked. “Sure,” he said, “I like to wake up to it, too. It’s the only way I can handle...” He paused and glanced around, “... I can handle this.”

As Rose begins to take a separate bus to the gigs, Slash celebrates his twenty third birthday in alcoholic style:

Slash celebrated by getting stuck into a bottle of Stolichnaya vodka, rather than his usual Jack Daniels, because downing two bottles of bourbon a day was now “giving me black stripes on my tongue”.

Asked at the end of 1988 what his plans for the future were:

He stared at me through his long, corkscrew hair. “Uh, I don’t know. Right now, it’s just about getting fucked up...”

Quite. The subsequent implosion of Guns N’ Roses and Axl Rose becoming a virtual recluse for the rest of the next decade aren’t so hard to understand now...

Thursday, 25 November 2010

Greenmantle by John Buchan

A classic adventure story, Greenmantle is a tale of espionage and derring-do in the midst of the First World War on the front between Turkey and Russia in Eastern Anatolia.


Richard Hannay, hero of The Thirty-Nine Steps, is convalescing from wounds sustained at the Battle of Loos when he is asked by military intelligence to go undercover in enemy territory in an effort to discover the truth behind rumours that Germany is plotting to start an uprising that will affect the whole Muslim world. Britain, with its interests in India, Africa and the Middle East would be especially vulnerable.

Arriving in Lisbon disguised as a South African hostile to Britain, Hannay runs into an old friend, a Boer called Peter Pienaar. Together they agree to travel to Germany as soldiers of fortune, hoping to be recruited to the war effort against Britain while secretly making their way to Constantinople. They slip into their parts instantly, going out on the town for a few drinks:

I talked Portuguese fairly well, and Peter spoke it like a Lourenco Marques bar-keeper, with a lot of Shangaan words to fill up. He started on curacao, which I reckoned was a new drink to him, and presently his tongue ran freely. Several neighbours pricked up their ears, and soon we had a small crowd round our table.

Having established that they are up for a ruckus with the Brits, a German agent in Lisbon suggests they take the next morning’s boat to Rotterdam, and from there travel to Germany. Once inside enemy territory, they are recruited by the terrifying Colonel Stumm, a brute of a man who selects Hannay for a special operation in Egypt. Peter has been left behind in Berlin though, and almost blows their cover by getting himself thoroughly pickled:

It was just the sort of thing I might have foreseen. Peter, left alone, had become first bored and then reckless. He had persuaded the lieutenant to take him out to supper at a big Berlin restaurant. There, inspired by the lights and music—novel things for a backveld hunter—and no doubt bored stiff by his company, he had proceeded to get drunk. That had happened in my experience with Peter about once in every three years, and it always happened for the same reason. Peter, bored and solitary in a town, went on the spree. He had a head like a rock, but he got to the required condition by wild mixing. He was quite a gentleman in his cups, and not in the least violent, but he was apt to be very free with his tongue. And that was what occurred at the Franciscana. He had begun by insulting the Emperor, it seemed. He drank his health, but said he reminded him of a wart-hog, and thereby scarified the lieutenant's soul. Then an officer—some tremendous swell at an adjoining table had objected to his talking so loud, and Peter had replied insolently in respectable German. After that things became mixed. There was some kind of a fight, during which Peter calumniated the German army and all its female ancestry. How he wasn't shot or run through I can't imagine, except that the lieutenant loudly proclaimed that he was a crazy Boer. Anyhow the upshot was that Peter was marched off to gaol, and I was left in a pretty pickle.

Needless to say, Hannay gets out of this particular tight-spot, but only by the skin of his teeth, which sets the tone for the rest of the book. Never out of print since it was published in 1916, Greenmantle is a cracking read with resonances even today.

Thursday, 18 November 2010

Vile Bodies by Evelyn Waugh

Waugh’s second novel, the saga of the Bright Young Things in 1930s London, is an experimental and daring piece of writing, documenting the difficult beginnings of that doomed decade. There’s also plenty to drink...


Adam Fenwick-Symes, a penniless writer engaged to be married to Nina Blount, has returned from Paris to London and is staying in Shepherd’s in Mayfair, an Edwardian institution where the game pie is quite black inside and full of beaks and shot and inexplicable vertebrae. He’s greeted at the door by Lottie Crump, who runs the place:

“Well,” she said, “You are a stranger. Come along in. We were just thinking about having a little drink. You’ll find a lot of your friends in here.” She led Adam into the parlour, where they found several men, none of whom Adam had ever seen before. “You all know Lord Thingummy, don’t you?” said Lottie. “Mr Symes,” said Adam... In came the waiter. “Bottle of wine,” said Lottie, “With Judge Thingummy there.” (Unless specified in detail, all drinks are champagne in Lottie’s parlour. There is a also a mysterious game played with dice which always ends up with someone giving a bottle of wine to everyone in the room, but Lottie has an equitable soul and she generally sees to it, in making up the bills, that the richest people pay for everything.)

As the drink starts flowing, Adam comes into some money, a thousand pounds to be precise. Easy come, easy go, however; he gives the whole lot to a drunken major to put on a horse in the November Handicap. Drunken shenanigans seem to be the order of the day at Shepherd’s. After a particularly wild night out (the party ends up at No. 10 Downing Street and the government falls the next day...) Adam returns to find the place crawling with the constabulary who are investigating an incident in the Judge’s room:

Downstairs, as Lottie had said, everything was upside down. That is to say that there were policemen and reporters teeming in every corner of the hotel, each with a bottle of champagne and a glass. Lottie, Doge, Judge Skimp, the Inspector, four plain-clothes men and the body were in Judge Skimp’s suite. “What is not clear to me, sir,” said the Inspector, “Is what prompted the young lady to swing on the chandelier. Not wishing to cause offence, sir, and begging your pardon, was she...?” “Yes,” said Judge Skimp, “She was.”

Adam’s fortunes rise and fall with the chapters of the book and his engagement with Nina is an increasingly on/off affair. Driving to a race meeting with friends, he finally runs into the drunken major who had kept his word and planked the thousand pounds on Indian Runner, leaving Adam with a nice little packet of thirty-five thou. should he condescend to collect it:

“Good heavens... look here, have a drink, won’t you?” “That’s a thing I never refuse.” “Archie, lend me some money until I get this fortune.” “How much?” “Enough to buy five bottles of champagne.”

Unfortunately, the major disappears and Adam is left boracic again. Still, the day isn’t without its entertainments. The man they have come to see race has dropped out halfway round and their friend Agatha Runcible takes over as second driver. Adam is slightly concerned that she might be over the limit, so to speak:

“I say, Archie, is it all right being tight in a car, if it’s on a race course? They won’t run her in or anything?” “No, no, that’s all right. All tight on the race course.” “Sure?” “Sure.” “All of them?” “Absolutely everyone – tight as houses.”

As the day finishes, the drink wears off:

Adam and Miles and Archie Schwert did not talk much. The effects of their drinks had now entered on that secondary stage, vividly described in temperance hand-books, when the momentary illusion of well-being and exhilaration gives place to melancholy, indigestion and moral decay.

Sounds like a suitable metaphor for the 1930s... The book finishes with war declared and Adam finally finding the drunken major, now a general, walking across no-mans-land. While the guns start up again, they share a case of champagne in an abandoned Daimler...

Thursday, 11 November 2010

Polo by Jilly Cooper

Partly as a reaction to a surfeit of what I like to call ‘worthy fiction’ and partly on the strength of an article in the Graun detailing her as one of reading’s great guilty pleasures, I recently picked up a copy of Jilly Cooper’s Polo. I will confess that I had mixed expectations but Cooper when she’s at her best is a hoot, and Polo is a fun, exhilarating and sometimes exhausting read. Bit like a polo match, I suppose...


It would be futile to try and list the cast in a single blog post. Cooper stretches it out to five pages; (...Kevin Coley: A petfood billionaire and polo patron of Doggie Dins. Enid Coley: His awful wife...) and the plot meanders over another seven hundred. In short: Perdita, the spoilt but precociously talented teenage daughter of Daisy McLeod, has fallen for Ricky Francis-Lynch, the brooding but magnificent polo player with a nine goal handicap. Unfortunately, Ricky’s life has just disintegrated into disaster after his wife Chessie leaves him. The night it happens he has just won an important match and is celebrating:

After drinking at least a bottle and a half of champagne after the French Championship, Ricky tried to ring home, but the telephone was dead – probably been cut off. Suddenly, missing Chessie like hell, he decided to accept Victor Kaputnik’s offer of a lift back to the Tigers’ yard in Newbury... Victor’s helicopter seated eight, so the drinking continued on the flight, and Sukey, who didn’t drink, drove Drew and Ricky back to Rutshire, so they were able to carry on boozing, reliving every chukka.

Ricky comes back to an empty house and a note from Chessie to say that she’s left with their son, Will. Ricky finds out that the new man is his polo patron, super-rich American Bart Alderton. He sets of in his Beamer:

It was a warm night. The clouds had rolled back leaving brilliant stars and a rising moon. As Ricky couldn’t find the top of the whisky bottle, he wedged it in the side pocket, taking repeated slugs as he drove. He covered twenty miles in as many minutes, overtaking two cars at once on the narrow roads, shooting crossroads.

Chessie jokes that she’ll take him back, if he achieves a hat-trick of Herculean horsey tasks, culminating in being made a ten goal handicap, the first British polo player to rise to that level since the Second World War. Ricky snatches up their son and drives off, but tragedy strikes as his car leaves the road. Ricky is badly injured. Will is killed outright.

Ricky at least has the sense to stay off the sauce (after he gets out of prison, that is) but the rest of the cast are pie eyed for most of the novel. Daisy is perpetually topping herself up with vodka and orange, except for one dreadful Christmas with her mother-in-law when ...upstairs in her bedroom, with a bottle of Benedictine, she started frantically cocooning presents with Sellotape.

Even the horses, themselves fully drawn characters in this book, are partial to a drink:

“Can you wait somewhere else”? snapped Phil. “I’m sorry, but we’ve got a critically sick horse here.” “Sick, my eye,” thundered Miss Lodsworth, “That horse isn’t sick, it’s dead drunk. It’s just eaten all my cider apples.” There was a long pause. Crouching down, Phil sniffed Wayne’s breath. “I do believe you’re right. How many apples d’you think he ate?” “Close on a hundred.”

It all ends happily, at least for the nice people. Daisy gets a new man, and Perdita finally grows up and gets herself a suitable feller as well. On the way Cooper’s cast shift enough drink to float a battleship, indulge in some fairly fruity extra-marital sex and take part in some truly exciting polo; (her descriptions of the matches are breathtaking). It’s unashamed escapism, and all the better for it.

Thursday, 4 November 2010

Cold Granite by Stuart MacBride

I was recommended this on the strength of its descriptions of Aberdeen, and some rather fanciful depictions of the local paper aside, it paints a realistic sounding picture of the Granite City, a conurbation of pubs, churches and rain. Three things Aberdeen had in abundance.


DS Logan is back at work after a year off sick. His first case is the body of a missing child, found mutilated and badly decomposed. As the weather gets steadily worse the body count starts to rise. Grampian Police are overstretched and unable to make a breakthrough. Sometimes, it seems, when the going gets tough, the tough have to slip out to the pub after work:

Archibald Simpson’s had started life as a bank, the large banking floor transformed into the main bar. The ornate ceiling roses and high cornices were blurred above a fug of cigarette smoke, but the crowd were more interested in the cheap drinks than the architectural details.

Naturally, they’re there to talk shop:

They’d spent the first third of the evening talking in serious tones about the dead and missing children. The second third had been spent bitching about the Professional Standards investigation into the leaking of information to the press. Changing their name from Complaints and Discipline hadn’t made them any more popular. And the last third getting seriously drunk. One of the PCs – Logan couldn’t remember his name – lurched back to the table with another round of beers. The constable was entering that stage of drunkenness when everything seemed very funny, giggling as half a pint of lager went all over the table and down the leg of a bearded CID man.

Logan, with no intention of being the responsible adult that night, gets himself thoroughly pickled, a situation not exactly assisted by the painkillers he’s still taking; one four times a day, not to be taken with alcohol. The evening gets messy, the morning after is worse:

Six o’clock and the alarm’s insistent bleeping dragged Logan out of his bed and into a blistering hangover. He slumped at the side of the bed, holding his head in his hands, feeling the contents swell and throb. His stomach was gurgling and churning with lurching certainty. He was going to be sick. With a grunt he staggered to the bedroom door and out into the hall, making for the toilet.

If that’s not bad enough, he seems to have several coppers wandering around his flat in a state of hungover bewilderment:

“Mornin’, sir. Good party last night. Thanks for putting us up.” “Er... Don’t mention it.” Party?

Still, at least he gets a bacon sandwich for breakfast:

Logan sat back from the table, chewing on his bacon buttie, trying to remember what the hell happened last night. He couldn’t remember any party. Everything was pretty much a blank after the pub. And some of the stuff before that was none too clear either. But apparently he’d had a party and some of the search team had crashed at his place. That made sense. His flat was on Marischal Street: two minutes’ walk from Queen Street and Grampian Police Headquarters. But he still couldn’t remember anything after they were chucked out of the pub. The PC currently throwing up in his toilet – Steve – had stuck Queen’s ‘A Kinda Magic’ on the jukebox and promptly taken off all his clothes. It couldn’t be called a striptease. There was no teasing and too much staggering round like a drunken lunatic. The bar staff had kindly asked them to leave.

With this crack team on the case, the rest of the investigation will be a breeze.